Everything about Flcl totally explained
Naota Nandaba (ナンダバ・ナオ太) is the protagonist of the series, obsessed with appearing mature and attempts to act nonchalant. He idolizes his older brother Tasuku, who represents for Naota what it means to be an "adult". Tasuku lives in the
United States and plays professional
baseball -- he's
never shown in the anime.
Haruko Haruhara is Mabase's newest resident, an
extraterrestrial investigator for the
Galactic Space Patrol Brotherhood. She becomes the Nandaba household maid while working to find Atomsk, the most powerful space pirate in the galaxy. Her guitar is most closely related to a
Rickenbacker bass Model 4001; she uses it to create an N.O. portal in Naota's head, through which comes several Medical Meccanica robots.
Canti is a Medical Meccanica robot. He was manufactured by Medical Meccanica and was used by MM to capture Atomsk. It is later revealed that Atomsk can manifest through Canti, with Naota being the catalyst.
Mamimi Samejima is a
high school truant. She is lonely and depressed, adopting several pets and naming them all "Ta-kun" as a replacement for Naota's brother, and develops
arsonistic tendencies. She thinks of Naota as a replacement for Tasuku, befriending him, but later grows disinterested when Naota begins to show independence.
Eri Ninamori is the daughter of the mayor of Mabase and the president of Naota's sixth grade class. Ninamori is a complex character- like Naota she's obsessed with acting grown-up but she often loses her composure in anger or excitement. Ninamori is so concerned with her public image that she hides her frustrations over her parents' divorce and the fact that she wears glasses.
Design
FLCL's odd style,
hyperactive pace,
convoluted,
esoteric plot, and tendency to break the
fourth wall sets it apart from other contemporary anime. It can be categorized as a work of comedy, drama, science fiction, romance, philosophy, and a parody of contemporary culture in general. It has an abstractly designed storyline about growing up and losing the childish viewpoint of life that all people once had, and seeing the true reality of the world.
Style
Although most of the series is done in a standard "anime" style, the animation frequently veers off into other realms, including
bullet time,
black and white, stills, two elaborate sequences drawn as semi-animated
manga and a couple of shots in
episode five that recreate the look of
South Park, or mosaic.
Cultural references
Haruko flying on her Bass Guitar in a bunny outfit and wearing earrings is a reference to the promotional video of
Daicon IV (an anime convention that took place in Osaka in the 80's). Haruko announces, "Daicon Five!" as she rides in, in a satirical reference to the show. This animation, along with the promo video for
Daicon III, were some of
Gainax's very first works.
The series also references such
pop culture icons as
Anna Nicole Smith,
John Woo and
South Park, not to mention
Neon Genesis Evangelion (Gainax's most famous production),
Pepsi,
Lupin III,
Initial D,
Gundam,
Tank Girl, and
Ashita No Joe. As well as showing reference to popular Japanese anime shows such as in Haruko's eyeless smiles (a subtle nod to the way the titular character of the anime
Crayon Shin-chan smiles), the English-dubbed FLCL also shows references to
The Red Hot Chili Peppers,
Rage Against the Machine,
Filter,
Slash,
Naked Lunch, and
Paul McCartney,
Richard Cheese,
Elvis Presley,
Jimi Hendrix, and
Hamtaro.
Language
There are some places where dialogue is different from the Japanese version, an attempt to make the dialogue easier to understand in the English translation. (Example: Haruko uses the term "mouth to mouth" repeatedly throughout the series, though the "
Th" sound doesn't exist in Japanese, making it sound like "mouse to mouse". This is used in a pun in "
Full Swing," when she crawls out of the Kamon puppet's mouth wearing a mouse suit.)
A common mistake by English-speaking fans is to say that the meaning of "Furi Kuri" in Japanese is "Breast Fondling." This mistake arises from the fact that "kuri kuri" is occasionally used by manga artists as a sound effect for breast fondling. In the anime itself, they make references to "kuri kuri" during the first manga scene, when Shigekuni describes kneading bread by making hand gestures that unmistakably resemble groping motions. Due to incredibly fast pacing of the scene, many fans mistake his statement as referring to "furi kuri" instead of "kuri kuri." Much Japanese
onomatopoeia follows a pattern of being four
kana long and having a sound repeated. "Furi furi" is also used as a sound effect in a later episode when Haruko is petting Naota's cat ears.
FLCL's direct Japanese to English translation is:
A Pretend Chestnut. Kuri or chestnut can also mean to twist. It would seem the best translation might be pretend twisted (distort, pervert) or pretend disarrangement (disturb the operation or functions [asin twisting]; also to make insane).
Regarding the Japanese that's left in and often misunderstood, the above case is further clarified by referring to the translation notes for episode one from the 25 page book with DVD one released by
Synch-Point:
9. Chi-chi o kuri-kuri -
Chi-chi means "breasts" or "boobs" in Japanese.
Kuri-kuri is a twisting noise.
Chi-chi also means "father."
12. Kuri - A homonym for a twisting noise and "chestnut". Kamon says "Like twisting..." Haruko hears, "like chestnuts".
Further comments in the booklets discuss the severe loss in translation of the plays made in Japanese via homonyms, synonyms, and so on. One example of trying to preserve this in English is the "empty", "MTV" and various homonyms in English during the Kamon/Haruko manga sequence.
Media
FLCL was originally released in
Japan as an
OVA anime on six
DVDs. The story was also released as a two-
volume manga by artist
Hajime Ueda, and a three-volume novel
serialization by
Yoji Enokido, who also wrote the script for the show. The first of the three novels was released in America on March 11, 2003. All were released in Japan starting in
2000, and in
2003 in the United States. The series is sporadically run on
Cartoon Network's
Adult Swim.
The anime has subsequently been released on DVD in North America in three volumes by
Synch-Point which feature exclusive extras not on the original Japanese DVDs, of which were six volumes containing one episode each.The manga was released by
TOKYOPOP in two volumes(ISBN 1-59182-396-X and ISBN 1-59182-397-8).All soundtrack discs -
Addict,
King of Pirates and
FLCL No. 3 - were released by
Geneon. The CD for
King of Pirates also contains 'drama tracks', which continue the story in the usual joking manner, such as one segment that has Naota meeting girls with similar names to Haruko and Mamimi.
FLCL has also been seen on
Cartoon Network's
Adult Swim block in North America, starting in August 2003. Starting on August 5 (as part of the late night line-up for the 4th) and continuing on four days a week for three weeks, the entire series aired twice.
The original releases of the
Region 1 FLCL DVDs contained
booklets with interviews and insight into the series. Later releases of these DVDs didn't include the booklets. On January 24, 2007, Synch-Point re-released the series in an Ultimate Edition DVD box set. The box includes all 6 episodes on 3 discs, a bonus disc containing music and extras, sticker sheet, 6 postcards, and an Ultimate Edition Collector's booklet. First orderers of the set also received a black wristband and an order form for a T-Shirt. The set lists for about $70, but at the time of writing, Amazon.com was selling it for $56. Major retailers currently list the series as in stock on their website, but brick and mortar availability is still sporadic.
Manga
The
manga interprets the series with all of the key elements intact, but loses some details and changes the dialogue (One being that
Canti is Atomsk). It is a much darker and more graphic take on the story, highlighting the sex and violence (Naota purposely kills his actual father with the baseball bat in a rather grisly scene because he thought Haruko and his father were sleeping together; Shinguki and an unnamed war buddy later
suicide-bombed the Medical Meccanica building). The manga has also been mildly controversial for its unique art style, especially the uses of ink to roughly outline objects and shade areas. Volume 1 is more like the first two episodes while Volume 2 is more like episodes 3 through 6. One major change to a character is Ninamori, as her robot becomes an ally, and isn't destroyed. Its design is also different, being a large octopus like creature attached to her head that enables her to fly. It is notable that the robot has a face that resembles one like "-.o", though the significance of this is unknown.
Music
Most of the background music was written and performed by
The Pillows, which has generated mass success and appreciation since the series' release abroad. The ending theme is The Pillows' "
Ride on Shooting Star". The remaining music was written by
Shinkichi Mitsumune. Two soundtrack CDs —
Addict and
King of Pirates — and a one-CD "best-of" compilation (
FLCL No. 3) were released in Japan and later in America.
Another interesting note is that the action sequences were choreographed around the individual tracks used, and not the other way around. The song
Little Busters plays when Canti taps into Atomsk's power. There are also many references to guitars, which are used symbolically and physically (though rarely musically) throughout the series.
Reception
The American reception for the series, although not widespread, has been enthusiastic following its release on
Adult Swim in the summer of 2003. Anime.com also gave the series an enthusiastic review in October of that year, although there was also a minor reference to it in the September "issue". In 2003, it also went on to win third place for Best Animation Film at the
Fantasia Festival.
FLCL has garnered both positive and negative reception among reviewers, sometimes diverging to extremes in both directions.
Adult Swim occasionally refers to FLCL as "The greatest show we've ever aired". Christopher McDonald of
Anime News Network called it "downright hilarious" and "visually superb" with great music, citing the packaging of 2 episodes per DVD as the only weakness of Synch-Point's original release.
It was also a success from a corporate standpoint. A
Time Warner press release from August 12, 2003 lauds the success of Cartoon Network, and mentions
FLCL:
» series FLCL
(Monday-Thursday, 12 a.m.) premiered with impressive numbers. [...] The Monday, Aug. 4 telecast of FLCL
ranked #42 among all shows on ad-supported cable among adults 18-34.
On February 24, 2007, FLCL was nominated for "Best Cast", and won "Best Comedy Series" and "Best Short Series" at the first American Anime Awards show.
In the November 2007 issue of Anime Insider, FLCL was ranked 4th in their list of the best English-licensed anime of all time.
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